![]() ![]() Cover: Bernd.įirst appearance on record of the two long improvisation tracks from the Columbus '66 tape. Notes: Executive producer: Suzanne Vinton. Source: Valleydale Ballroom, Columbus OH, November 4, 1966. Some copies are plain white with black printing. Notes: original edition has blue, black & white cover with pink label. Sources: 1-12 : Lou Reed, John Cale & Nico, Bataclan, Paris, France, January 29, 1972, audience recording. The Biggest Loudest Heaviest Group Of All / 9. It offers actually only about one minute of Velvet Underground noise. Notes: unofficial reissue of the East Village Other Electric Newspaper LP (ESP-DISC 1034), with plain neutral cover - some white, some gold. Also exists as blue marble vinyl edition (1990).The first reissue (1981) has an ordinary cover.Left hand corner of the back cover reads: "design & silk-screen printing". First edition (1979) has a silk-screened cover.There is at least three different editions: Back cover has extensive liner notes by C. Notes: this album offers a nice collection of pre-VU tracks, the 4 demos originaly available on the White Heat EP and a couple of 1966 VU-related recordings. Sources: 1 : The Beachnuts, 1965 / 2, 3 : The Primiti/ 4 : The Rougnecks, 1965 / 5 : Index flexi, 1966 / 6-9 : rough mix demos, 1969 / 10 : The East Village Other LP, 1966. Some copies have also FH 14/9 on both sides Marble vinyl reissue: Side 1: FIRST-1A / Side 2: FIRST-1B Plastic Inevitable FIRST 1, Australia, 1979 Anyway there was a reissue around 1984 with different matrix numbers but otherwise identical to the original pressing. Some copies were also sold as "German 2nd pressing". Maybe I was wrong, but anyway, this helped my decision to stop working with my friend Peter - to control the Skydog label completely and to establish the company in France at the time Peter started Dynamite in Amsterdam." I freaked out and stopped the distribution of the album after the first printing, even if Lou said in a note, "Do whatever you want with those tapes!" Also, at the time, I was not so happy with the cover and the quality of the pressing. Then my partner in Amsterdam, without asking me, decided to put out "Evil Mothers" (800 copies). Lou loved the record so much that he asked the girl from the Max's Kansas City tapes to send us the complete week's recording. Marc Zermati: "Nico was a close friend of mine and she was over every day cooking dinner in my place, then she told me to send to Lou the bootleg of "Rock n' Roll Animal" that we recorded in Amsterdam. Les Inrockuptibles' Superstars* booklet (1990) entry for the record says that 2000 copies were originally pressed, but most of those would have been retired from market after the 'hassle' between the two parts involved in the project. And the collaboration ended after the Dutch partner bootlegged the Brigid Polk's tape that was given to Marc. However Evil Mothers was definitely not an approved release. They originally released a legit royalties paid version of the Jimi Hendrix Sky High. The record was released by the early incarnation of the Skydog Records label, run by Marc Zermati in Paris with a Dutch partner Pieter Meulenbroeks. Both labels and back cover mislists Sneaky Pete in place of The Ostrich. Black & white "dog in airplane" drawing label. The Lou Reed photo on back cover was shot by Nat Finkelstein and is actually picked up from The Velvet Underground & Nico liner. However Lonesome Cowboy Bill, I'm Waiting For The Man, New Age and Sweet Jane are actually the same as on the official Live At Max's album! It offers both sides of the pre-VU Primitives 45 and some unreleased live tracks recorded by Brigid Polk at Max's Kansas City in 1970. The title refers to Sweet Jane lyrics: "And there's some evils mothers, well they're gonna tell you that everything is just dirt". Notes : this record was the first Velvet Underground bootleg LP ever released. Sources: 1, 3, 5, 6, 8 : Max's Kansas City, "July 26, 1970" / 2 : Max's Kansas City rehearsals, Summer 1970 / 4, 7 : The Primiti/ 9 : Max's Kansas City, August 23, 1970. ![]()
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